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The article presents the futuristic iction, “The Camille Stories,” as a proposal of immediate possible futures as well as real and improbable present-day contexts. The text positions “The Camille Stories” as a pilot project, a work model and also as an object of play in order to compose collective projects, not only in the imagination, but speciically in writing practices. The article proposes the igure of the palabreros (leaders) of death, whose task it is to feel-think and bring to life new things of the earth, and emerges new forms of life and types of beings who are inhabitants of a planet that is in constant evolution.

Donna Haraway, Dra., Universidad de California

Profesora emérita distinguida del programa de Historia de la Conciencia en la Universidad de California, Santa Cruz (Estados Unidos). Doctora en Biología de la Universidad de Yale. E-mail: haraway@ucsc.edu

Juan Camilo Cajigas-Rotundo, Mg., Universidad de California

Candidato a Doctor en Estudios Culturales de la Universidad de California, Davis (Estados Unidos); Magíster en Estudios Culturales de la Universidad Javeriana; Filósofo de la Universidad Nacional de Colombia. E-mail: lujanrot@yahoo.es

Haraway, D., & Cajigas-Rotundo, J. C. (2018). The Camille stories: children of compost. Nómadas, (47), 13–45. https://doi.org/10.30578/nomadas.n47a1

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