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The peak of Colombian cinema in recent years is closely connected to the implementation of Law 814 of 2003, which promotes research, production, and distribution of cinema. However, the films that premiere in movie theaters are not widely watched by large audiences because most of the films produced in the country are a part of the so-called “festival” or “author films” and are not of the general appeal to the Colombian public. This research document presents general ideas expressed by the public regarding the forms of production, distribution and exhibition of national Colombian cinema.

Diana Cortés Acosta, Universidad Central

Docente del Departamento de Cine de la Universidad Central, Bogotá (Colombia). Magíster en contenidos y formatos audiovisuales de la Universidad de Valencia, y Realizadora de cine y televisión de la Universidad Nacional de Colombia. E-mail: dcortesa6@ucentral.edu.co

Juliette Ospina Bernal, Universidad Central

Docente del Departamento de Publicidad de la Universidad Central, Bogotá (Colombia). Magíster en estudios culturales y estudiante de Doctorado en Antropología de la Universidad de los Andes; 
Diseñadora Industrial. E-mail: jospinab1@ucentral.edu.co

Cortés Acosta, D., & Ospina Bernal, J. (2018). The colombian consumer talks about cinema. Nómadas, (48), 253–261. https://doi.org/10.30578/nomadas.n48a16

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